# Texture Synthesis Primitives - Carleton University

Fractals and Terrain Synthesis WALL-E, 2008] Proceduralism Philosophy of algorithmic content creation

Frees up artist time to concentrate on most important elements (hero characters, major locations) Musgrave: "not one concession to the hated user"

Simulation and Optimization Simulation: models through simulation of underlying process control through initial settings may be difficult to adjust rules of simulation

Optimization: models through energy minimization control through constraints, energy terms may be difficult to design energy function

[Rusnell, Mould, and Eramian 2009] Height Fields Each point on xy-plane has a unique height value Convenient for graphics simplifies

representation (can store in 2D array) Used for terrain, water waves Drawback: not able to represent full range of possibilities Height Fields and Texture

Can use any texture synthesis process to generate height fields simply interpret intensity as height, create mesh, render The most successful processes have used

fractals self-similarity a feature of real terrains self-similarity defining characteristic of fractals Iterated Function Systems Show up frequently in graphics

L-systems replacement grammar a celebrated example Capable of producing commonly cited fractal shapes Sierpinski gasket Menger sponge

Koch snowflake Mandelbrot Set Said to encode the Julia sets coloring of the complex plane for connectivity of quadratic Julia sets

say Jc is the set for zn+1 = zn2 + c Point c is in the Mandelbrot set if Jc is connected, not in the set otherwise Partitions complex plane Mandelbrot separator fractal curve

Mandelbrot set calculation Turns out that it is quite straightforward to get the Mandelbrot set computationally: for each pixel c: let z0 = c

compute z = z2+c repeatedly, until (a) |z| > 2 (diverges) (b) iteration count exceeds constant (say 1000) if diverged, color it according to the iteration number on which it diverged

if never diverged, color with some special color Fractals Nonfractal complexity: arises from accretion of different kinds of detail e.g., people: complex, but not self-similar

Fractal complexity: arises from repeating the same details What detail to repeat? Perlin noise a suitable source of detail

Multiresolution Noise Different signals at different scales Fractals: clouds, mountains, coastlines 1/2

1/4 1/8 1/16

sum Multiresolution Noise FNoise(x,y,z) = sum((2^-i)*Noise(x*2^i)) Extremely common formulation so common that many mistake it for the basic

noise primitive Fractional Brownian Motion aka fBm requires parameter H (relative size of successive octaves "roughness")

val = 0; for (i = 0; i < octaves; i++) { val += Noise(point)*pow(2,-H*i); point *= 2; }

Fractional Brownian Motion aka fBm requires parameter H (relative size of successive octaves "roughness") val = 0;

for (i = 0; i < octaves; i++) { val += Noise(point)*pow(2,-H*i); point *= 2; } why 2? "Lacunarity" parameter

Lacunarity "Lacunarity" (from Latin "lacuna", gap) gives the spacing between octaves Larger values mean fewer octaves needed to cover same range of scales

faster to compute but individual octaves may be visible Smaller values mean more densely packed octaves, richer appearance

Lacunarity Balance between speed and quality Value of 2 the "natural" choice but in genuinely self-similar fractals, may lead to visible artifacts as same features pile up

Transcendental numbers good genuinely irrational, no piling at any scale Values slightly over 2 offer good compromise of speed/appearance e-1/2, -1

Fractal ranges of scale Real fractals are band-limited: they have detail only at certain scales Computed fractals also band-limited practical limitations: dont write code with

infinite loops Mandelbrot: fractal objects have 3+ scales Midpoint Displacement Repeated subdivision:

begin with two endpoints; at each step, divide each edge and perturb the midpoint In 2D: on alternate steps, divide orthogonal and diagonal edges Among the first fractal terrain systems

(Fournier/Fussell/Carpenter 1982) Problems: seams from early points Midpoint Displacement Midpoint Displacement

Characteristics of fBm Homogeneous: the same everywhere Isotropic: the same in all directions Real terrains are neither mountains differ from plains

direction can matter (e.g., rivers flow downhill) Require multifractals Multifractals Fractal dimension varies with location

Simple multifractal: multiplicative cascade val = 1; for (i = 0; i < oct; i++) { val *= (Noise(point)+offset)*pow(2,-H*i) point *= 2; }

Problems Multiplicative formation unstable (can diverge) Extremely sensitive to value of offset Control elusive

Hybrid multifractals In real terrains, higher areas are rougher (new mountains) and lower areas smoother (worn down, silted over) Musgrave: weight of each octave

multiplied by current value of function near value=0 (sea level), higher frequencies damped very smooth higher values: more jagged need to clamp value to prevent divergence

Ridges Simple trick to get ridges out of noise: Noise values range from -1 to 1 Take 1-|N(p)| Absolute value reflects noise about y=0; negative moves reflections to top

Cellular texture (Voronoi regions) naturally has ridges, if distance interpreted as height von Koch snowflake

L-Systems "Lindenmeyer systems", after Aristid Lindenmeyer (1960's) Replacement grammar set of tokens

rules for transformation of tokens All rules applied simultaneously across string L-Systems Very successful for modeling certain classes of structured organic objects

ferns trees seashells Success has impelled others to apply the methods more widely

rust entire ecosystems L-System example Tokens: A, B Rules

AB B AB L-System example Tokens: A, B Rules

AB B AB Initial string: A Sequence: A, B, AB, BAB, ABBAB Lengths are Fibonacci numbers (why?)

Geometric Interpretation Strings are interesting, but application to graphics requires geometric interpretation Usual method: interpret individual tokens as geometric primitives

Turtle Graphics The language Logo (1967) once widely used for education Turtle has heading and position; when it moves, it draws a line behind it

Commands: F, B: move forward/backward fixed distance +,- : turn right/left fixed angle [, ] : push or pop the current state A : no-op

L-Systems and the Turtle Example replacement rules for the turtle: F F-F++F-F everything else unchanged von Koch snowflake

Branching 'Push' and 'pop' operators can produce branching: A F[+A][-A]FA F FF

A is an 'apex' the tip of a branch Each apex sprouts a new branch with buds midway along its length, while existing branches elongate

Turtle Graphics in 3D Turtle has orientation and position Commands: F, B: move forward/backward fixed distance +,- : turn right/left fixed angle (yaw) ^,& : turn up/down fixed angle (pitch)

\, / : roll right/left fixed angle [, ] : push or pop the current state A : no-op Ternary Tree As usual, just one rule:

F F[&F][/&F][\&F] Each segment has three branches attached to its tip

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